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Three unique spaces in the service of art in Paris




Halle Saint-Pierre, 2 rue Ronsard - 75018

Cultural Center located at the foot of Montmartre in 1986, the Halle Saint-Pierre is renowned for its exhibitions of art brut and art singular. This former market built in 1868 in an architectural style Baltard now includes a museum, a gallery, a cafe, an auditorium and a library. Part of an initiative by Max Fourny, the museum's collection which was done by order and by gifts from artists over 600 works. He reigns in this place designed by Max Fourny a warm and friendly atmosphere where cross artists, collectors and visitors. Among exposures that have marked this place we find Petra Werle and small figures made of bread crumbs and insects, The World According to HR Giger, or the British Outsider Art.


Kreo Gallery, 31 Rue Dauphine - 75006

Specializing in contemporary design, the gallery Kreo is defined as a "space laboratory dedicated to research work of its creators." The style of the objects that are exposed is both simple and luxurious, chic and elegant, bright and refreshing. We find a wide variety of lighting fixtures of the 50s, mirrors and furniture. The establishment of this flagship gallery is undoubtedly the Boat-tub installed in front. Its interior resembles that of the pristine porcelain and her hull made of wooden slats clear nail us on a journey into pleasure. Our view takes in a multitude of objects more creative than each other whose design never ceases to amaze.


Galerie Emmanuel Perrotin, 76 Rue de Turenne - 75003

Highly prized by lovers of contemporary art, Galerie Emmanuel Perrotin exhibits which juggling between the poetic, the shameless, the outrageous and seductive. The success of this space has allowed the owner to open a second gallery in Paris and a another in Miami. Located in a beautiful mansion 700 yards in the 3rd district, this gallery has been a springboard for many artists on the contemporary scene. It may be mentioned among the best known Sophie Calle, Damien Hirst, Takashi Murakami, Wim Delvoye ... To top it off, the gallery has even created Bing, its own quarterly magazine of contemporary art.

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PORTRAIT: Georges Rousse, a nomadic artist


Who is he?

Georges Rousse is a French artist born in Paris in 1947. From an early age he traveled around the world according to his father's military movements.

What is it?

He began his career as a photographer but his artistic varied prevents him from belonging to a specific category of art. His work is an alliance between painting, architecture, sculpture, graphic design and photography. The latter is the ultimate method that brings out the essence and originality of his work.

How it work?

Georges Rousse develops its projects in situ, in places abandoned to revive walls doomed to destruction. At first he mainly paints colorful characters that he then photographs. Then he goes towards a total redevelopment of the area using anamorphosis. It creates a new perspective and a unique world that exists only in the final photographic print. All plastic construction is based on a view that selects préalable.Quel is its artistic purpose?
work of Georges Rousse creates an illusion. When you look at the photographs, we think first of all to a computer editing, then reworked the space gradually reveals itself to let the viewer into a meditative space and plastic. This is creating a gap between reality and fiction by playing on the background and the image which appear superimposed. The artist adds shapes, volumes and colors he calls "sculptures immaterial" to give new meaning to that space. The picture shows the flat three-dimensional vision and pushes the eye to deconstruct what is shown.
The work of Georges Rousse revisit our relationship to time and space. By photographing a specific point of view the merger between a utopian space and real space, he questioned the difference between perception and reality and between imagination and reality.

Where does it work?

Georges Rousse is defined as a nomadic artist. His work situ allows him to travel around the world to transform and appropriate new sites. It nourishes and his work on the context, meetings, and means that are proposed. Traveling is a way for him "not to be limited to final models. The concepts of journeys of exploration and landscapes are found in his installations plans or maps. He addresses the viewer with an invitation to travel and meditation. Whether it's the beauty of the towering mountains of Nepal or the stigma of Hiroshima, Georges Rousse pushes for contemplation and reflection.

Key points of work of Georges Redhead?

photographs of Georges Rousse impressed by the accuracy of their composition and perspective that emerges. Using anamorphosis in the service of photography, he transforms a three-dimensional space into a two-dimensional illusion of a single visible point of view. The viewer is then challenged and manipulated until it incorporates this meditative space to analyze it or deconstruct it often.
Beyond a simple optical illusion, the facilities of Georges Rousse become witnesses of its ephemeral artistic concerns that maintain a close relationship with the place, its history and culture of the country in which it operates. By photographing this space, he interrogates the man about his perception of the world, time and space.

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still alive in color

I still have not managed to contact the teacher of meditation, no way to contact him if it may be through the brief but well thought ...

It took Mamy see Alex Lutz (OSS 117 Rio will not answer) the night of the sleepless night (!).
Feeling peckish? Come taste the sushi Tesco English ...

Here cacti are disguised in rabbit


I bought some spray paint to redo the decor of my room ... wait and see.



And the best for last, here is a video taken in a box near me.

At the next

Wallace.

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Sepia

I have not written much lately. Life
its course and am like a sepia image a bit this fall is a little timid.




domminicale trip to London that gives the opportunity to get lost in Camden, pubbing, and walk into town.


Life goes on and this blog certainly does not fill but projects grow, mature and approach. I try and imagine a happy ending for the mutual willingness of professors and electronic music to get students to do projects together.


course overnight to lose a few years is not prohibited.




I leave you, call me a beer.

Wallace.